La Scala - Wikipedia. The Teatro alla Scala in Milan, by night. La Scala (pronounced . The theatre was inaugurated on 3 August 1. Nuovo Regio Ducale Teatro alla Scala (New Royal- Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's Europa riconosciuta. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala during the past 2. The theatre is regarded as one of the leading opera and ballet theatres in the world and is home to the La Scala Theatre Chorus, La Scala Theatre Ballet and La Scala Theatre Orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy (Italian: Accademia Teatro alla Scala), which offers professional training in music, dance, stage craft and stage management. Overview. All performances must end before midnight, and long operas start earlier in the evening when necessary. The Museo Teatrale alla Scala (La Scala Theatre Museum), accessible from the theatre's foyer and a part of the house, contains a collection of paintings, drafts, statues, costumes, and other documents regarding La Scala's and opera history in general. La Scala also hosts the Accademia d'Arti e Mestieri dello Spettacolo (Academy for the Performing Arts). Its goal is to train a new generation of young musicians, technical staff, and dancers (at the Scuola di Ballo del Teatro alla Scala, one of the Academy's divisions). History. A group of ninety wealthy Milanese, who owned palchi (private boxes) in the theatre, wrote to Archduke Ferdinand of Austria- Este asking for a new theatre and a provisional one to be used while completing the new one. Scala is een object-functionele programmeer- en scripttaal voor algemene toepassingen. Het is statisch getypeerd, ontworpen om oplossingen bondig uit te drukken, op. The Scala Sancta are encased in protective wood and may only be ascended on the knees. For common use, the staircase is flanked by four additional staircases, two on. The neoclassical architect Giuseppe Piermarini produced an initial design but it was rejected by Count Firmian (the governor of the then Austrian Lombardy). A second plan was accepted in 1. Empress Maria Theresa. The new theatre was built on the former location of the church of Santa Maria alla Scala, from which the theatre gets its name. The church was deconsecrated and demolished, and over a period of two years the theatre was completed by Pietro Marliani, Pietro Nosetti and Antonio and Giuseppe Fe. The theatre had a total of . Its stage is one of the largest in Italy (1. Building expenses were covered by the sale of palchi, which were lavishly decorated by their owners, impressing observers such as Stendhal. La Scala (as it came to be known) soon became the preeminent meeting place for noble and wealthy Milanese people.
La Scala (pronouncedIn the tradition of the times, the platea (the main floor) had no chairs and spectators watched the shows standing up. The orchestra was in full sight, as the golfo mistico (orchestra pit) had not yet been built. Above the boxes, La Scala has a gallery. The gallery is typically crowded with the most critical opera aficionados, known as the loggionisti, who can be ecstatic or merciless towards singers' perceived successes or failures. For their failures, artists receive a . Unfortunately, as is well known, the theatre of La Scala serves, not only as the universal drawing- room for all the society of Milan, but every sort of trading transaction, from horse- dealing to stock- jobbing, is carried on in the pit; so that brief and far between are the snatches of melody one can catch. To prevent the risks of fire, several rooms were filled with hundreds of water buckets. In time, oil lamps were replaced by gas lamps, these in turn were replaced by electric lights in 1. In 1. 94. 3, during WWII, La Scala was severely damaged by bombing. It was rebuilt and reopened on 1. May 1. 94. 6, with a memorable concert conducted by Arturo Toscanini. For several years, however, Verdi did not allow his work to be played here, as some of his music had been modified (he said . This dispute originated in a disagreement over the production of his Giovanna d'Arco in 1. Requiem there on 2. May 1. 87. 4 and he announced in 1. La Scala would host the premiere of what was to become his penultimate opera, Otello. The theatre was closed following the traditional 7 December 2. Otello, which ran through December. From 1. 9 January 2. November 2. 00. 4, the opera company was transferred to the new Teatro degli Arcimboldi, built in the Pirelli- Bicocca industrial area 4. However, the opera company was said to be impressed with improvements to the structure and the sound quality, which was enhanced when the heavy red carpets in the hall were removed. The stage was entirely re- constructed, and an enlarged backstage allows more sets to be stored, permitting more productions. Seats now include monitors for the electronic libretto system provided by Radio Marconi, an Italian company, allowing audiences to follow opera libretti in English and Italian in addition to the original language. The opera house re- opened on 7 December 2. Riccardo Muti, of Salieri's. Europa riconosciuta, the opera that was performed at La Scala's inauguration in 1. The resulting staff backlash caused serious disruptions and staff strikes. In a statement, the theatre's board said it was . Muti had already been forced to cancel a concert a few days earlier because of the disagreements. Italy's culture minister, Giuliano Urbani, supported the conductor but called for urgent action by management to safeguard the smooth operation and prestige of La Scala. On 2 April 2. 00. Muti resigned from La Scala, citing . On 1. 5 May 2. 00. Daniel Barenboim was named Maestro Scaligero, or de facto principal guest conductor, of the company. In October 2. 01. Barenboim was appointed the next music director of La Scala, effective December 2. His successor Alexander Pereira (de), formerly director of the Salzburg Festival, began his tenure on 1 October 2. William Weaver) (1. The Verdi- Boito Correspondence, Chicago: University of Chicago Press ISBN 0- 2. Kelly, Thomas Forrest (2. First Nights at the Opera. Yale University Press. Mallach, Alan (2. The Autumn of Italian Opera: From Verismo to Modernism, 1. Rambles in Germany and Italy in 1.
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